Flannery O’Connor’s “Hazel Motes” and nihilistic materialistic “justification” through the “American Dream Machine”

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“Nobody with a good car needs to be justified!” (Brad Dourif as Hazel Motes)

Hazel Motes is the main character of Flannery O’Connor’s first novel, “Wise Blood,” from 1952.  Leon C. Wood, in his book on Flannery O’Connor says the following about the significance of Hazel’s car in his “religion”:

This broken-down car serves as the single sacrament of his nihilistic religion, the true viaticum for escaping everything that would lay claim on him. O’Connor was an early discerner, together with Walker Percy, that the automobile, even more than the movies and television, is the great American Dream Machine. It fulfills our fantasies of individualist autonomy, enabling us to strike out for the proverbial territories whenever the limits of social existence press in upon us. As Motes’s only sacred space, the car serves as both pulpit and residence, enabling him to incarnate his message in a life of perpetual isolation and vagabondage. (Flannery O’Connor and the Christ-Haunted South, p. 169)

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Flannery O’Connor

BMC @ Manifest Propensity, 2013

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One thought on “Flannery O’Connor’s “Hazel Motes” and nihilistic materialistic “justification” through the “American Dream Machine”

  1. […] Bob Dylan read Flannery O’Connor’s “Wise Blood” or like her, did he just sense that for modern people cars signify more than a mere means of […]

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