“Hatred (A Duet)” by the Kinks: What is the ultimate kink? (With help from Frederick Buechner’s “On the Road With the Archangel”)

Archangel

Sometimes I am amazed when I repeatedly stumble upon similar profound thoughts in unexpected places. One recent example is my stumbling yesterday upon the song “Hatred (A Duet)” by the Kinks, and then today something that Frederick Buechner wrote in his novel “On the Road With the Archangel.” Continue reading

“Genesis” by Jorma Kaukonen – A “new beginning” born from the cataclysmic

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The opening song on Jefferson Airplane guitarist Jorma Kaukonen’s first solo album from 1974, now 40 years old, has always been a favorite of mine. It details his plea toward a new beginning that was needed in his relationship with his wife, due to some typical thoughtless indulgence that frequents the lives of traveling musicians. In the liner notes of the re-release we read the following:

Although a wistful romantic ode on its surface. what many apparently don’t realize is that the song is a confessional. Says Jorma, “It’s about a guy who cheated on his wife and got caught. I was living the rock and roll life and one thing led to another and I was forced to fess up. The good news is I got a good song out of it. The bad news is I don’t even remember who it was that caused the song to be written.

“At the time,” he continues, “my wife Margareta and I realized we were really miserable and we were trying to be happier together. I was writing a lot of true love songs-true love almost always gone wrong but saved at the last moment. Some people have suggested that wouldn’t it be nice if you could write songs like ‘Genesis’ all the time, and I always say, “Yeah, it would be, but it would be great not to have to be in the place I was when I wrote it.’ Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life.”

Thus, “Genesis” is one of those songs that is ultimately both sad yet beautiful. Sad in it’s potentially cataclysmic origination yet beautiful in its expression of a new beginning.

The “flying angel” cover art used for the album called “Quah” was created by his wife. Jorma dedicated the re-issue of the album to the memory of Margareta.

Time has come for us to pause
And think of living as it was
Into the future we must cross, must cross
I’d like to go with you
And I’d like to go with you
You say I’m harder than a wall
A marble shaft about to fall
I love you dearer than them all, them all
So let me stay with you
So let me stay with you

And as we walked into the day
Skies of blue had turned to grey
I might have not been clear to say, to say
I never looked away
I never looked away
And though I’m feeling you inside
My life is rolling with the tide
I’d like to see it be an open ride
Along with you
Going along with you

The time we borrowed from ourselves
Can’t stay within a vaulted well
And living turns into a lender’s will
So let me come with you
And let me come with you
And when we came out into view
And there I found myself with you
When breathing felt like something new, new
Along with you
Going along with you

jorma

jorma2

BMC @ Manifest Propensity, 2014

Joan of Arc by Mark Twain – the “peerless” person of profane history

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At the conclusion of Mark Twain’s book “Joan of Arc” he writes,

I have finished my story of Joan of Arc, that wonderful child, that sublime personality, that spirit which in one regard has had no peer and will have none—this: its purity from all alloy of self-seeking, self-interest, personal ambition. In it no trace of these motives can be found, search as you may, and this cannot be said of any other person whose name appears in profane history.

In his book about four literary luminaries, Gerard Manly Hopkins, Mark Twain, G.K. Chesterton, and William Shakespeare, Frederick Buechner write this about Mark Twain’s view of humanity: Continue reading

“Dark Was the Night, Cold Was the Ground” by Blind Willie Johnson – NASA’s Golden Record’s witness to Jesus in Gethsemane

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It is fitting that NASA’s  interstellar mission of Voyager includes the song “Dark Was the Night, Cold Was the Ground” on the Voyager Gold Record, being Blind Willie Johnson’s musical depiction of Jesus in Gethsemane; The passion of Christ which concerned humankind, the angels and God, the earth and the heavens. Continue reading