“Sometimes Flannery O ’Connor turns readers away bewildered by her violence and seemingly hostile attitude toward life. Perhaps in her writing she is like the peacock who does not present its glory when the observer wants it, nor, even when it spreads its tail, immediately displays the “best” side. What the viewer has to accept first is the peacock’s rear:
When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns. (Flannery O’Connor: Mystery and Manners (New York: Farrar, Straus and Giroux, 1969), pp. 9-10).
To seek out and demand the beautiful directly (or the happy or the edifying) does not bring results from Flannery O ’Connor either. Like the peacock she continues to present her awkward characters in their fundamental weakness and need of salvation.” (Entire excerpt is from Flannery O’Connor and the Peacock by David R. Mayer)
Explanatory “footnote” from Manifest Propensity: This post aims to merely present a few hints for understanding Flannery O’Connor, for those interested, through the beautiful artwork of Ande Cook and the excerpt from an essay by David R. Mayer. An understanding of her life and mysterious writings are well worth pursuing and these two sources I’ve shared in this post seem to quite ably set one on the right course for that pursuit.
BMC @ Manifest propensity, 2016.
Questions & comments are always welcomed. Thanks for reading. (Now go read Flannery!)