“Everything Now” by Arcade Fire – The Album Cover: Real or Fake Reality?

I open this series of posts on this latest (and greatest – OK maybe not but it is at least great) offering from Arcade Fire with a consideration of the album cover.

The cover is exactly the same as the featured image shown above, and the following observations of the image can be made:

  • the sign seamlessly shows the same mountains and sky which are behind it
  • the mountains on the sign are clearer and show more fine detail and thus would seem to be a “better” image
  • the sign contains the glaringly illuminated words “EVERYTHING NOW”
  • the sign is held up by some ugly manmade supports
  • the sign has a few speakers attached to it
  • there are no “signs of life” in the photo such as living creatures

A few thematic and conceptual “tie-ins” can be made between these observations and the songs on the album

  • “signage” and “signs”
  • natural creation vs. manmade “creation” – two “orders of creation” so to speak
  • the concept of difference between these two orders
  • the appeal to use our higher critical, moral, aesthetic, and spiritual faculties to evaluate these different orders

The highlighted transition to the song “Everything Now” begins with these first two lines – thus highlighting this difference – the juxtaposition between the orders of creation depicted on the cover:

Every inch of sky’s got a star
Every inch of skin’s got a scar

So to summarize all of this, I think that the cover was an ingenious way of depicting the two “orders of creation” in which “we live and move and have our being.” The one is natural, beautiful, filled with multitudes of stars. The other is manmade, too often ugly and filled with a multitude of scars. The manmade sets forth that it is “better” – brighter and clearer, and supposedly easier to read and understand. Granted, the natural world is difficult to “read” – a glowing sign reading “everything now” is easy to read. But is it really better? Is it even the real world or is it just a fake reality that we manufacture thinking that will provide the answers we long for? That is actually the basic definition of what an idol is – something we create and then worship as though it created us – because in a sense when that transpires we are creating our own selves. But the ultimate question is whether the reality we create is real or fake, whether it can provide everything we hope life is for.

I think Arcade Fire with this album has produced perhaps their most unified and cohesive conceptual album that is ultimately about the “big questions” – with “everything now” being the either/or to consider. But what is the alternative to “everything now?” Is there an alternative that is reality? Or is a self-created reality all there can be, even if it inevitably is fake and produces scars on every inch of our lives (if we are willing to think about it).

So, as for what I’ve set forth an an introductory fashion in this post, the proof will be in the contents of all the songs in the album. I hope that anyone that might be reading this has already listened enough times to have discovered that, negative reviews notwithstanding, this is a great and up to par offering by Arcade Fire. I for one, have a feeling it could grow to be my favorite, which may become evident as I proceed to work through the amazing collection of songs.

Thanks for reading and for any comments!

A Post post-date revision: I posted this yesterday, and now today I learned from a video interview I watched with Win Butler that this photo was taken in Death Valley. He mentioned something about it being “the lowest place” as having significance. So how might this change my read of the two orders of creation?

I think that the basic fact of two orders remains since the photo does show both. That the natural order is one of the most desolate places on the planet perhaps enhances a sense of ambiguity or even unknowing  regarding the significance of what the natural order is a “sign” of? Anything? I had originally mentioned that the natural word is “difficult to read” in contrast to our manmade presentation/reproduction of it. So the “better” image, even of a “death valley” may still show that our human “spin” on life is basically what we try to do with life. We try to make it better – even if we’re not quite sure it is actually better at all. If there are no “signs of life” in the world does our manufacturing of signs create them? Can we create life “ex nihilo” (out of nothing)?

So it seems to me that the “natural order” desert scene juxtaposed with our “man made order” enhanced desert scene makes makes a point that is best made through the use of the desert scene. The desert is known through experience, and in religious and philosophical tradition as the place of deprivation and death, trial and temptation, the realm of the demonic. In biblical literature this is behind the conclusion that life is at the present time largely a pilgrimage through the desert wilderness toward the future return home to the garden of Eden. I believe this conceptual imagery is presented in places in the album and so obviously the photo fits the overall concept being presented. (This should become evident as this series of posts progresses.)

In conclusion then, I think that the basic statement being made through the album cover may be that the endeavor to enhance the human wilderness experience as though it is an experience of “everything now” is an endeavor in futility and self-deception. The remaining question then is whether there are any “signs of life” that provide an alternative – such as an actual future hope beyond the desert wilderness. But in any case, these words seem the only proper commentary on mere human enhancement of “Death Valley” –

Stop pretending, you’ve got

(Everything now!) I want it
(Everything now!) I can’t live without
(Everything now!) I can’t live without
(Everything now!)
(Everything now!)
Everything now

Original Content © Bryan M. Christman and Manifest Propensity, 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Bryan M. Christman and Manifest Propensity with appropriate and specific direction to the original content.

“Everything Now” by Arcade Fire (a new series of posts is starting soon!)

I have been quite dormant as far as posting regularly for the past several years. Well I’m newly inspired to post a series on all the songs on the new Arcade Fire album. Hopefully some people are still interested in this blog.

Of course the posts will consist of my best guesses as to what they are saying on the album. And certainly others may have their own best  guesses and think mine may be totally off. If so feel free to post your thoughts. And most important of all, I hope my thoughts can add to your experience of this phenomenal album.

The Parable of the Townspeople

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Pieter Bruegel the Elder, Landscape with the Parable of the Sower, 1557.

There was a town in a distant land, far removed from civilization, isolated by deserts, forests, rivers and mountains. The townspeople had legends of others, but being busy and content they didn’t search for them. Their own primal history was lost, but legend also said that the entire world was created by a great and mysterious but generally good Townskeeper.

For their town, near a deep glacial lake surrounded by fertile forests, provided all they needed. They simply received…

“from heaven rains and fruitful seasons, filling their hearts with food and gladness.”

This does not mean their lives were easy. Although nature provided them with all they needed, sometimes it burst forth with more, bringing floods, or blizzards. Disease and infirmity also visited, but all in all the fruitful seasons yielded life against the wildness of nature.

Problems came from their own nature also, by laziness and selfishness. Lying, stealing, the taking of life all became too well known. Even those that kept themselves from such acts were tempted toward evils. Thus they found that all seemed to be cut from the same cloth, and therefore the townspeople tried to balance necessary justice with the need for forgiveness.

So they found that they were thankful to be alive, and enjoyed the fruits of their labors. Most felt so thankful that they wondered if there was some unseen benefactor they should give thanks to. Their early wise ones had said that perhaps someone was good and great enough to have created all things, and so they made an altar devoted to their unknown “Townskeeper” lest they be ungrateful.

One day a mysterious stranger suddenly appeared in their town square. He had been first found by a group of young children. It seemed they thought of him as some favorite uncle, rather than being the first stranger they had ever met. What the adults first saw was the stranger seated and surrounded by the children, several upon his knee, eagerly listening as his kind voice told them stories.

The adults, being more cautionary, began to ask him who he was, where he came from and why he was there. He said that he was sent to them to bring good news and that he was the only son of the Townskeeper who,

“…himself giveth to all life, and breath, and all things; and he made of one every nation of men to dwell on all the face of the earth, having determined their appointed seasons, and the bounds of their habitation; that they should seek him, if haply they might feel after him and find him.”

The Townskeeper had always sown their lives with many blessings, and now desired for them to know and trust him fully for all their needs, so that they could enjoy life even more abundantly. So the stranger stayed with them for several months and spoke of many mysterious things. He also did many miraculous signs.

He healed those that were sick or had been born with infirmities. He even welcomed those that had been caught lying or stealing, and visited with one that had taken a life. He seemed to have some special bond with the most needy, and with the children. Thus with many such wonderful words and deeds he blessed all the people, and many found it easy to believe he was the son of their absentee Townskeeper.

Eventually he departed saying he was sent to all the towns in the world. They wondered how, being a man, he could travel the whole and seemingly now larger world.

Once he said he must do something that would overcome all evils and death itself, and that his deed was from the very beginning the necessary foundation of creation. They were all puzzled by this!

Not long after he left someone else arrived. The whole town had been hearing noises such as they never heard before. In a few days what appeared was a parade, led by huge metallic machines that leveled a path through the wilderness like a herd of gigantic wild boars. Following were men marching in formation as trumpets sounded. In the center was a man seated on a throne held aloft by other men. The procession came to rest in the center of the square.

The man solemnly rose as children rushed forward to see the destruction machines. The marching men barricaded them back. He bellowed loudly with a superior tone while announcing himself and speaking.

He said that he embodied the culmination of the scientific aspirations of humankind, which had primarily discovered that there was no evidence for any Townskeeper. They were following the trail of the stranger to undo his delusional lies. He reported that that they had finally rid the world of him, but that some followers believed he rose from the dead and were spreading his lies everywhere they went.

Scientists had concluded that dead strangers do not rise from the dead and the world existed by chance. Feeling thankful is due to biochemical brain reactions because of a full stomach, harem, barn or temple.

Some wondered why many felt thankful even in great hardships, but how could simple folk disagree with the wisdom of “humanity?” He said he must depart to fulfill his chosen mission, but would benevolently appoint marching men as “advisors” to guide their democracy. Besides, they would have many weapons suitable for dealing with superstitions.

The parody pompously departed and the townspeople mainly settled into a “new normal.” Some still felt thankful and remembered the stranger. The more they remembered him the more thankful they felt. Why shouldn’t feeling thankful mean there must be someone to thank? Feeling thirsty means that that water exists. And justice, forgiveness, and love are real yet can’t be proven under the microscope.

Many believed the news of the scientist, who had become their high priest. Life was mostly the same, since nature was still wild and “not yet” overcome by technology. Floods and sicknesses were less often, but when they came they were even worse. Sometimes they still felt thankful, but tried to avoid thinking about it. Eventually many lost their sense of being thankful, because “everyone” knew that there is no reason to thank an accident that eventually produced biochemical reactions in gray matter.

“For there is nothing hid, save that it should be manifested; neither was anything made secret, but that it should come to light. If any man hath ears to hear, let him hear.

And he said unto them, Take heed what ye hear: with what measure ye mete it shall be measured unto you; and more shall be given unto you. For he that hath, to him shall be given: and he that hath not, from him shall be taken away even that which he hath.”

Written by Bryan M. Christman, Copyright 2015. All rights reserved.

Bob Dylan’s “deconstruction” of the “American Dream Machine”

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It seems appropriate to close out the “old” year with some deconstruction! After all, out with the old and in with the new, right? So what kind of “deconstruction” do I have in mind? Continue reading

Thoughts on Bob Dylan’s “Modern Times”

modern times cover

“Taxi, New York at Night” by Ted Croner, 1947

I recently read a book called “The Dilemma of Modern Belief”. written in 1963 by Samuel H. Miller who was the Dean of the Harvard Divinity School. When I read the following I immediately thought of the cover of “Modern Times.” Continue reading

“The Scientist’s Prayer” by Walker Percy

Walker-Percy

Walker Percy

Possibly you have heard of “The Sinner’s Prayer” – well here is “The Scientist’s Prayer” which is an excerpt from the novel “Love in the Ruins” by Walker Percy. Possibly some people may not like it, but I enjoyed the humor and truth of human nature that it conveyed. Also, my instinct is that Walker Percy wrote it knowing his own human nature, and I also enjoyed it knowing my own human nature.

The prayer of the scientist if he prayed, which is not likely: Lord, grant that my discovery may increase knowledge and help other men. Failing that, Lord, grant that it will not lead to man’s destruction. Failing that, Lord, grant that my article in Brain be published before the destruction takes place. (Walker Percy, Love in the Ruins)

BMC @ Manifest Propensity

Comments are always welcome! Thanks!