Jack Bruce’s “We’re Going Wrong”: Open-mindedness and the way forward

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Please open your eyes
Try to realize
I found out today we’re going wrong
We’re going wrong

Please open your mind
See what you can find
I found out today we’re going wrong
We’re going wrong

We’re going wrong
We’re going wrong
We’re going wrong

by Jack Bruce, 1967

“I found out today” that Jack Bruce had passed away. My thoughts naturally turned to my favorite song written by him, a  song that to me displays a surprisingly disproportionate combination of lyrical brevity and emotive power. So this post is in part a tribute to Jack Bruce and his song that i’ve enjoyed on several levels, but mainly an exploration of the possible meaning of the song.

Without knowing any personal context of Jack Bruce that may be behind the song, I’m left to begin with the historical context in which the song appeared: 1967. The sixties was, if anything, a calling being issued from many voices to “open our eyes” individually and collectively. It had become manifestly apparent to many that something had gone wrong in western civilization. Many thought we were on the verge of some type of  imminent conflagration based on factors including but not limited to war (hot or cold), prejudice, poverty, pollution, population, politics, and technology.

The call to open our eyes was a hope that we could be spared the destruction, to void the looming threat that “the gods first blind those whom they wish to destroy.” Perhaps a critical mass of opened eyes could counter the coming apocalypse. (Can it do so today?)

But for the time being, this truth and perhaps this alone, seemed apparent to the counterculture: “We’re Going Wrong.”

Of course, “open eyes” really only means “open minds” which Jack Bruce made explicit. But what does it mean to have an open mind? At that time it seemed to mean to many or most in the counterculture that we must abandon the very concept of universal/dogmatic truth which had merely enslaved humankind through false authority. Thus open-mindedness seemed to morph into broad-mindedness in which there is no ultimate truth, only individualistic “working truths” (whatever works for me/you).

The prince of wit G.K. Chesterton warned that,

The vice of the modern notion of mental progress is that it is always concerned with the breaking of bonds, the effacing of boundaries, the casting away of dogmas. But if there be any such thing as mental growth, it must mean the growth into more and more definite convictions, into more and more dogmas…

…When he drops one doctrine after another in a refined skepticism, when he declines to tie himself to a system, when he says that he has outgrown definitions, when he says that he disbelieves in finality, when, in his own imagination he sits as God, holding no form of creed but contemplating all, then he is by that very process sinking slowly backwards into the vagueness of the vagrant animals and the unconsciousness of the grass. Trees have no dogmas. Turnips are singularly broad-minded. (from Heretics, chapter 20)

It seems probable that this “modern notion” of mental growth resulted in the sixties revolution being more destructive than constructive, in regard to any real progress toward “going right.”

If the counterculture was a failure in this regard, then it is natural to wonder why, unless destruction actually was the goal, and it is true that destruction (or discrediting) of what is false is necessary. But it seems more likely that the problem of failure is to be found deep in humankind itself, namely that we are a species prone to error.

To support this suggestion I’d like to look at a few ancient proverbs from the “New Living Translation” of the Bible. Here is the first:

Proverbs 14:1 A wise woman builds her home,
but a foolish woman tears it down with her own hands.

I do not think that this is meant to say that the difference between the wise and foolish woman is one of intention. I do not think the “foolish woman” intends to tear down her house. She intends to build it, but being “foolish” does not know how to succeed. And she is like all of us, inasmuch as we all intend to succeed. Blaise Pascal said this about the intention of all people:

All men seek happiness. This is without exception. Whatever different means they employ, they all tend to this end. The cause of some going to war, and of others avoiding it, is the same desire in both, attended with different views. The will never takes the least step but to this object. This is the motive of every action of every man, even of those who hang themselves. (Pensees, #425)

The second proverb says,

Proverbs 14:12 There is a path before each person that seems right,
but it ends in death.

This explains a simple fact, that we are all prone to err, with dire consequences. It is not our intention to die, but it is the consequence of self-direction. The prophet Jeremiah wrote:

Jeremiah 10:23 I know, Lord, that our lives are not our own.
We are not able to plan our own course.

So to return to the first proverb, the wise woman is one that directs her steps according to the direction of God. This all means that the only positive answer to “We’re Going Wrong” is what is called “repentance.” In other words, the way ahead is to turn around. This is not an easy task. We all hate to be lost, to have to backtrack, to cut our losses of lost time and effort often spent with blood, sweat and tears. I think that the wise and foolish women both knew “blood, sweat, and tears” in their quest to build their house, but tragically only one was building while the other was tearing down.

C.S. Lewis knew how difficult it is for us to repent, due to our mistaken view of progress created by our aversion to being wrong.

We all want progress. But progress means getting nearer to the place you where you want to be. And if you have taken a wrong turning, then to go forward does not get you any nearer. If you are on the wrong road, progress means doing an about turn and walking back to the right road; and in that case the man who turns back soonest is the most progressive man…There is nothing progressive about being pigheaded and refusing to admit a mistake. And I think if you look at the present state of the world, it is pretty plain that humanity has been making some big mistake. We are on the wrong road. And if that is so, we must go back. Going back is the quickest way on. (from “Mere Christianity,” chapter 5, 2nd paragraph)

Now a perceptive reader will note that believing that “We’re Going Wrong” may be difficult, but it is the easy part. The truly difficult part is where to go to “go right.” If it is true that the way that “seems right to us ends in death” and that we “are not able to plan our course,” then where shall we go? And it is precisely here that Jack Bruce left us, halfway turned around on our path to who knows where.

But it is here that God, with something called “good news” (gospel) creates a real turnaround by providing the ultimate destination. But I’m not merely talking about the notion that most of us have of “heaven.” I’ll let a few theological excerpts present gospel to us, and perhaps we will find two things. First, that we have not known the way “forward.” Second, that the good news of God’s destination will impel us forward.

The first theologian speaks of the “destination” in broad terms, given in terms applicable to all times and places.

Regeneration  is a state of things universally. It is the new state of things, the new eon, which the Christ brought; the individual “enters it,” and in so doing he himself participates in it and is reborn through participation in it. The message of conversion is, first, the message of a new reality to which one is asked to turn; in the light of it, one is to move away from the old reality, the state of existential estrangement in which one has lived. (Paul Tillich, Systematic Theology Volume 2 “Existence and the Christ” p. 177)

The second theologian speaks of the “destination” in narrow terms, and is provided because God’s announcement of “good news” meets us all in the midst of or own specific life setting. This provides some concrete illustrations of what conversion may entail.

To begin anew meant, to Bonhoeffer to pass through a process of becoming aware of and avowing guilt, of repenting, of doing real penance, and of seeking for new foundations of living together beyond nihilism. But to begin anew also meant to grapple with and clarify the concrete experiences with people under the Hitler regime. And these were, in the majority, experiences of failure, of lack of civil courage, of thoughtless complicity, of lies violating one’s own conscience, of shutting ones eyes to obvious injustice, and of lack of concern about the suffering of others, whether because of fear or because of a narrowed range of perception. He deemed all of this possible only in a situation where people no longer felt urged, by a vital knowledge about the mission and meaning of their lives, to accept responsibility, but would accept, in thoughtless subordination the dictate of their superiors that the meaning of life lies in blind obedience. (Heinz Eduard Todt, “Authentic Faith – Bonhoeffer’s Theological Ethics in Context,” p. 21)

Now that is an example of an opening of the eyes and mind that surely even surpasses that hoped for by the most well meaning “counterculturist.” For the truth is that the good news of the arrival of God’s kingdom to “put the world to rights” also needed to include the provision of forgiveness for we humans that would rather mankind’s Savior be crucified in order to preserve our chosen self-direction, even our “countercultural” self-direction.

Could a “just” God merely “wink” at such murderous treason from his creation as though it was nothing? Bonhoeffer shows that the answer for all, especially for any that would like to follow him anew, is shown in that very place where Christ died:

Jesus died on the cross alone. abandoned by his disciples. It was not two of his faithful followers who hung beside him but two murderers. But they all stood beneath the cross: enemies and the faithful, doubters and the fearful, the scornful and the converted, and all of them and their sin were included in this hour in Jesus’ prayer for forgiveness. God’s merciful love lives in the midst of its foes. It is the same Jesus Christ who by grace calls us to follow him and whose grace saves the thief on the cross in his last hour. (from “Discipleship,” Works Vol. 4, p. 40)

Thoughts, questions, kindly criticisms are welcomed. Thanks for your interest!

Original Content © Bryan M. Christman and Manifest Propensity, 2014. Excerpts, links, and reblogging may be used, provided that full and clear credit is given to Bryan M. Christman and Manifest Propensity with appropriate and specific direction to the original content.

 

U2’s “California (There is no End to Love)” and Dietrich Bonhoeffer’s thoughts on loss

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“California (There is no End to Love)” contains the following lyric:

There’s no end to grief
That’s how I know

That’s how I know
And why I need to know that there is no end to love
All I know and all I need to know is there is no end to love

U2

On Christmas Eve, 1943, Dietrich Bonhoeffer wrote a letter from Tegel prison to Renate and Eberhard Bethge. In the letter he wrote some things that seem to provide a good “theological” basis for what U2 sang in “California (There is no End to Love).” Bonhoeffer wrote:

“…there is nothing that can replace the absence of someone dear to us, and one should not even attempt to do so; one must simply persevere and endure it. At first this sounds very hard, but at the same time it is a great comfort, for one remains connected to the other person through the emptiness to the extent that it remains unfilled. It is wrong to say that God fills the emptiness; God in no way fills it but rather keeps it empty and thus helps us persevere – even in pain – our authentic communion. Further, the more beautiful and full the memories, the more difficult the separation. But gratitude transforms the torment of memory into peaceful joy. One bears what was beautiful in the past not as a thorn but as a precious gift deep within. One must guard against wallowing in these memories, giving oneself entirely over to them, just as one does not gaze endlessly at a precious gift but only at particular times, and otherwise possesses it only as a hidden treasure of which one is certain.” (Letters and Papers from Prison, p. 238)

1 Corinthians 13:7 English Standard Version of the Bible (ESV)

Love bears all things, believes all things, hopes all things, endures all things.

BMC @ Manifest Propensity, 2014

Comments or questions are always welcomed!

Dietrich Bonhoeffer’s Poem “Christians and Heathens”

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People go to God when they’re in need,

plead for help, pray for blessings and bread,

for rescue from their sickness, guilt, and death.

So do they all. all of them, Christians and heathens.

 

People go to God when God’s in need,

find God poor, reviled, without shelter or bread,

see God devoured by sin, weakness, and death.

Christians stand by God in God’s own pain.

 

God goes to all people in their need,

fills body and soul with God’s own bread,

goes for Christians and heathens to Calvary’s death

and forgives them both.

 

From Dietrich Bonhoeffer Works, Volume 8, Letters and Papers From Prison, pp. 460-61.

This poem by Dietrich Bonhoeffer is perhaps one of the most accurate statements in Christian theology regarding the  question of where God is, in relation to human need and suffering. I may try to elaborate more on its meaning in future posts.

BMC @ Manifest Propensity, 2014.

Arcade Fire’s “Month of May” and the Question of Posture

From the first time I heard this song I found the lyric regarding the posture of some young people to be very interesting. Here is the excerpt:

Now the kids are all standing with their arms folded tight
The kids are all standing with their arms folded tight
Now some things are pure and some things are right
But the kids are still standing with their arms folded tight
I said some things are pure and some things are right
But the kids are still standing with their arms folded tight
So young so young
So much pain for someone so young well
I know it’s heavy I know it ain’t light
But how you gonna lift it with your arms folded tight?

The song adds another verse that seems to provide a hope that this adopted posture will not become ultimate fate:

If I died in the month of May
Let the wind take my body away then
Wish I may I wish I might
Don’t leave me down there with my arms folded tight

The adopted posture here has perhaps become that of the corpse in the casket, and seemingly signifies a desire for being saved from such a permanent posture. But the honest irony in the lyric is that it is saying “the kids” adopting such a posture are already dead! They certainly cannot do something only live people do, which is to “lift” the pain that has perhaps provided the impetus (or excuse?) for their posture.

I find these lyrics to be quite interesting in relation to the cynicism and skepticism that seems to be part and parcel of the generation that has grown up in postmodern times. U2 sang of this generation in one of their earlier songs called “Like a Song” on the 1983 album “War.”

A generation without name, ripped and torn
Nothing to lose, nothing to gain
Nothing at all
And if you can’t help yourself
Well take a look around you
When others need your time
You say it’s time to go… it’s your time.
Angry words won’t stop the fight
Two wrongs won’t make it right.
A new heart is what I need.
Oh, God make it bleed.
Is there nothing left?

I included the exhortation of U2 to help others “if you can’t help yourself” to highlight Arcade Fire’s question to those that have adopted the “arms folded tight” posture that prevents helping oneself or others.

Of course postmodernism is not the actual cause of such postures, unless postmodernism has always existed! The truth seems to be that such postures are a common (albeit not necessarily uncomplicated nor a wholly conscious) choice of us human beings. C.S. Lewis provided an interesting story about some dwarves in the perilous times of “The Last Battle” in his Chronicles of Narnia. This brief summary from a commentator should be adequate to show that “the kids” with the “poor postures” in Arcade Fire’s “Month of May” are very much akin to Lewis’s dwarves, and that such postures can become permanent liabilities.

Among other things, I think the chronicles help children (and adults) understand the fundamental battle in life between good and evil. Good is represented by a great lion named Aslan, an archtype of the resurrected Christ. In the land of Narnia, evil shows up in many familiar guises of wicked witches, horrible beasts, and dark dwarfs.

The last of the seven books is appropriately entitled, The Last Battle (Revelation?). In this chronicle, the evil characters are Narnian dwarfs. They are dark and gloomy folk, with sneering grins, who distrust the whole world. The basic issue is that they have chosen to live in darkness, refusing to see the good around them, refusing to believe that Aslan can bring God’s light into their lives and world. So, they live in misery, squalor, and self-imposed darkness.

Near the end of the story, some of the children who follow Aslan go out into a field where the dwarfs live. They want to make friends; they want to help them see the light and the beauty of the world which surrounds them.

When they arrived, they noticed that the dwarfs have a very odd look and were huddled together in a circle facing inward, paying attention to nothing. As the children drew near, they were aware that the dwarfs couldn’t see them. “Where are you ?” asks one of the children. “We’re in here you bone-head,” said Diggle the dwarf, “in this pitch-black, poky, smelly little hole of a stable.”

“Are you blind?” asks another child. “No,” respond the dwarfs, “we’re here in the dark where no one can see.”

“But it isn’t dark, you poor dwarfs,” says Lucy, “look up, look round, can’t you see the sky and flowers – can’t you see me?” Then Lucy bends over, picks some wild violets, and says, “perhaps you can smell these.” But the dwarf jumps back into his darkness and yells, “How dare you shove that filthy stable litter in my face.” He cannot even smell the beauty which surrounds him.

Suddenly the earth trembles. The sweet air of the field grows sweeter and a brightness flashes behind them. The children turn and see that Aslan, the great lion himself, has appeared. They greet him warmly and then Lucy, through her tears, asks, “Aslan, can you do something for these poor dwarfs?”

Aslan approaches the dwarfs who are huddled in their darkness and he growls. They think it is someone in the stables trying to frighten them. Then Aslan shakes his mane and sets before the dwarfs a magnificent feast of food. The dwarfs grab the food in the darkness, greedily consuming it, but they cannot taste its goodness. One thinks he is eating hay, another an old rotten turnip. In a moment, they are fighting and quarreling among themselves as usual. Aslan turns and leaves them in their misery.

They children are dismayed. Even the great Aslan cannot bring them out of their self-imposed darkness. “They will not let us help them,” says Aslan. Their prison is only in their minds and they are so afraid of being taken in that they cannot be taken out. “But come now children,” says Aslan, “we have other work to do,” and they leave the dwarfs alone in their miserable world.

These chronicles of Narnia reflect an ancient way of presenting truth through stories – using allegory. Allegorical stories help us see, through ordinary events, another higher level of truth. In this tale, the earthly lion, Aslan, represents the heavenly resurrected Christ who brings hope and life and light into the world.

What the children of Narnia discover, to their dismay, is that everyone has a choice… to see and respond to that light or to sit in self-imposed darkness unwilling to see the beauty which surrounds them, to smell the violets held under their nose or eat of delights of God’s table set before them.

We all know people like this who live in the dark. It is a lesson Lucy, Edmund, and the other children will carry with them as they return home through the magical door which separates the mystical kingdom of Narnia from their very ordinary earthly home. It’s a lesson we must all eventually learn as we walk through the shadowy valleys of life.

(The excerpt is from the Lewis website: Into the Wardrobe)

dwarves

In conclusion, Arcade Fire’s “Month of May” provides a very good commentary and warning concerning our reactions to the perilous winds that challenge our life, if we wish for our life to ultimately be more than premonitory postures for death.

Neither I, nor Arcade Fire, nor U2, nor C.S. Lewis make light of “the problem of pain” or violent winds in the month of May. But neither should we make light of our reaction and response that consists in a posture that is more dangerous in the long run because it has to do with what kind of person we are becoming.

So young so young
So much pain for someone so young well
I know it’s heavy I know it ain’t light
But how you gonna lift it with your arms folded tight?

Comments are always welcome. Someone must have some thoughts about something here.

Original Content © Bryan M. Christman and Manifest Propensity, 2014. Excerpts, links, and reblogging may be used, provided that full and clear credit is given to Bryan M. Christman and Manifest Propensity with appropriate and specific direction to the original content.

 

 

 

Some thoughts on our “natural” human reaction to God’s grace (from Flannery O’Connor, Dean Koontz, Mary Doria Russell, and Jesus of Nazareth)

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“All human nature vigorously resists grace because grace changes us and the change is painful.”

- Flannery O’Connor

An excerpt from “A Catholic Thinker” blog article “The Mean Grace of Flannery O’Connor“:

“I think there is no suffering greater than what is caused by the doubts of those who want to believe. I know what torment this is, but I can only see it, in myself anyway, as the process by which faith is deepened. A faith that just accepts is a child’s faith and all right for children, but eventually you have to grow religiously as every other way, though some never do. What people don’t realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross. It is much harder to believe than not to believe. If you feel you can’t believe, you must at least do this: keep an open mind. Keep it open toward faith, keep wanting it, keep asking for it, and leave the rest to God.”

“This notion that grace is healing omits the fact that before it heals, it cuts with the sword Christ said He came to bring.”

“[The trendy “beat” writers] call themselves holy but holiness costs and so far as I can see they pay nothing. It’s true that grace is the free gift of God but in order to put yourself in the way of being receptive to it you have to practice self-denial.”

And when explaining (what I considered incomprehensible) “A Good Man is Hard to Find” to a friend,

“There is a moment of grace in most of the stories, or a moment where it is offered, and usually rejected. Like when the Grandmother recognizes the Misfit as one of her children (a child of God) and reaches out to touch him. It’s the moment of grace for her anyway – a silly old woman – but it leads him to shoot her. This moment of grace excites the devil to frenzy.”

Excerpt from “Odd Thomas” by Dean Koontz:

Most people desperately desire to believe that they are part of a great mystery, that Creation is a work of grace and glory, not merely the result of random forces colliding. Yet each time that they are given but one reason to doubt, a worm in the apple of the heart makes them turn away from a thousand proofs of the miraculous, whereupon they have a drunkard’s thirst for cynicism, and they feed upon despair as a starving man upon a loaf of bread. (page 142)

Excerpt from “The Sparrow” by Mary Doria Russell:

God was at Sinai and within weeks, people were dancing in front of a golden calf. God walked in jerusalem and days later, folks nailed Him up and then went back to work. Faced with the Divine, people took refuge in the banal, as though answering a cosmic multiple-choice question: If you saw a burning bush, would you (a) call 911, (b) get the hot dogs, or (c) recognize God, Anne had decided years before…. (Quoted in “Christ Plays in Ten Thousand Places” by Eugene Peterson; page 177)

Mark 6:6 King James Version:

And he marvelled because of their unbelief.

-Jesus of Nazareth

Do you readers agree with these assessments?

BMC @ Manifest Propensity, 2014

“No Cars Go” by Arcade Fire and the human desire for some other “place”

In “No Cars Go” Win Butler & Arcade Fire express a desire for a place where “no cars go.” The song doesn’t say why such a place is desired. Maybe it is a self-evident truth for our time. What does seem evident is that the desire touches upon “spiritual” or “summum bonum” issues. In a few previous posts I have presented other thoughts related to the automobile and such issues based on some things the fiction writer Flannery O’Connor has written. Ralph Wood relates how O’Connor explored the issue through her character Hazel Motes:

(Hazel Motes’s) broken-down car serves as the single sacrament of his nihilistic religion, the true viaticum for escaping everything that would lay claim on him. O’Connor was an early discerner, together with Walker Percy, that the automobile, even more than the movies and television, is the great American Dream Machine. It fulfills our fantasies of individualist autonomy, enabling us to strike out for the proverbial territories whenever the limits of social existence press in upon us. As Motes’s only sacred space, the car serves as both pulpit and residence, enabling him to incarnate his message in a life of perpetual isolation and vagabondage. (Comment on the novel “Wise Blood” by Flannery O’Connor in Flannery O’Connor and the Christ-Haunted South by Ralph C. Wood, p. 169 )

essex

Hazel Motes preaching from his pulpit

Flannery O’Connor wrote of the car as the vehicle that seemingly enables self-justification for nihilistic consumerist escape from our modern materialistic world, but which falls short of the desired escape.

Fittingly, Arcade Fire sing of the car, along with other vehicles of transportation, as only capable of movement within this world of seeming nihilism. The world does not seem to contain any place beyond our limited modes of transportation and their nihilistic presence. Their reference to “spaceships” seems to expand the realm of possible nihilism, just as the Soviet cosmonauts in the sixties reported that they did not “find God” in outer space.

So it seems that Arcade Fire sings of a “place” beyond the normal realm. Are they speaking of “heaven?” They sing of knowing about this place.

“…where we know”.

Is this “spiritual” knowledge?

A place we know of in which no cars go! They seem to be bearers of good news! But, they don’t say how they know, or where exactly this place is?

“…don’t know where we’re going”

Interestingly, they don’t know where it is, but they seem to know when it is, or perhaps when it occurs. It occurs in the time

“….between the click of the light and the start of the dream”?

What does their “answer” mean? Is it merely the time of deep sleep, before dreaming, when there seems to be nothing? In the final analysis, are they still subject to nihilism?

Or is this space in time of waking, yet in the dark, when making love can seem to exclude all other reality? Bruce Cockburn sang of this space in time in his song “The Coldest Night of the Year.”

When two lovers really love there’s nothing there
But this suddenly compact universe
Skin and breath and hair

I don’t believe that “making love” or human relationships are a small thing, but are they the answer to nihilism? Many seem to live as such, as expressed in “A Farewell to Arms” by Hemingway:

You’re my religion. You’re all I’ve got.”

So does Arcade Fire believe there is a real place that “No Cars Go?” It is hard to say anything definitive, based on this song alone. But can their longing for such a place mean anything in itself? Theologians like C.S. Lewis thought so, and developed an apologetical “argument from desire” for theism as opposed to nihilism.

Creatures are not born with desires unless satisfaction for those desires exists. A baby feels hunger: well, there is such a thing as food. A duckling wants to swim: well there is such a thing as water. Men feel sexual desire: well, there is such a thing as sex. If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world. (C.S. Lewis, Mere Christianity; book 3, chapter 10.)

Hemingway also wrote in “A Farewell to Arms” that “all thinking men are atheists.” But Pascal the religious thinker thought otherwise.

I conclude this song merely by noting that this early Arcade Fire song is a good one, and perhaps it is even somewhat Pascalian. Could the “click of the light” indicate the limitation of human reason, while the “start of the dream” indicates openness to the “reasons of the heart” that Pascal discovered? The more I think about the lyrics, with the call in the song to “little babies, women and children, old folks,” I am led to think that the interpretations explored above fall short of the sheer drive of the song toward an exodus type movement to another type of place. The use of “dream” may throw us off as indicating unreality, but even the Biblical prophets spoke of the coming of God’s new kingdom in relation to visions of young men and dreams of old men.

Joel 2:28-29
New International Version (NIV)
The Day of the Lord

28 “And afterward,
I will pour out my Spirit on all people.
Your sons and daughters will prophesy,
your old men will dream dreams,
your young men will see visions.
29 Even on my servants, both men and women,
I will pour out my Spirit in those days.

(See Acts 2:16-18)

Perhaps “between the click of the light and the start of the dream” does not refer to the time in which this other place occurs, but to the revelational method by which one knows about the place, i.e. the Pascalian method of knowledge.

Below is a video someone put together for Bruce Cockburn’s song referenced above. By the way, Bruce Cockburn believes in the reasons of the heart and the movement of the Holy Spirit, and does not make relationships his religion.

Original Content © Bryan M. Christman and Manifest Propensity, 2014. Excerpts, links, and reblogging may be used, provided that full and clear credit is given to Bryan M. Christman and Manifest Propensity with appropriate and specific direction to the original content.

 

Flannery O’Connor – “She would of been a good woman…”

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“She would of been a good woman,” said The Misfit, “if it had been somebody there to shoot her every minute of her life.”
― Flannery O’Connor, A Good Man is Hard to Find

“Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I’m always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it’s very shocking to the system.”
― Flannery O’Connor, Mystery and Manners: Occasional Prose

Link to the PBS episode on Flannery O’Connor