Waiting in Neil Young’s “Peaceful Valley Boulevard” for the One to Lead the Nations

creation waits

With this blog post I’m simply presenting another “apocalyptic” song of Neil Young, along with several texts from the Christian New Testament. I trust that readers will be able to notice the correspondence of thought between them. I believe it is quite possible that Neil Young directly drew from Paul’s Letter to the Romans in the “questioning” section of the song.

I would like to add that the song “Peaceful Valley Boulevard” begins at the 26:25 minute mark in the movie “Le Noise.” I’d also like to add that I loved Neil Young’s Bruce Cockburn-esque guitar in this beautiful song.

I suppose that my point for this post is simply to say that as we find ourselves in this day and age wherein the technological abilities of humankind continue to develop both for good and for ill, we can find that our stewardship of the planet has long been the subject of the Hebrew and Christian Holy Scriptures, from Genesis to Revelation. My purpose is also to call attention to the outrageous claim of the early Christ followers that Jesus of Nazareth was the “second adam” through whom the God of the Hebrew people, believed to be the one and only true God of the Universe, had begun the process of restoring humankind to its stewardship of the earth. In other words, the project, process, and promise of a veritable New Creation has begun.

So perhaps the best-kept secret of Christian theology is that “redemption” was never mostly about “souls being saved to heaven” or about private and personal piety or peace. “Shalom” was always known to encompass “the big picture” of the entire creational existence – even though the ecclesiastical stewards of this truth sometimes seem to have done their best to not only bury that light under a basket, but to even perpetuate the horrible violences known in the wars of humans against humans, and exploitations of the creation by humans. The biblical view of the nature of life seems to agree with the empirical view of life, wherein we live our lives in the violent “Boulevard” where apocalyptic “shots ring out” in violent disruption of the intended  “Peaceful Valley” of Eden. But from that place we are encouraged to look to the Spirit of God’s recreation of humanity in Christ wherein human reconciliation and the renewed stewardship for the gift of earthly creation can be found. That may not seem to be “the gospel” we’ve heard before, but it is the “good news” that has come into the world. (Below is a valuable reference for further study.)


“Peaceful Valley Boulevard”

One day shots rang across the peaceful valley
God was crying tears that fell like rain
Before the railroad came from Kansas City
And the bullets hit the bison from the train
Shots rang across the peaceful valley
White man laid his foot upon the plain.

The wagon train rolled through the dusty canyon
The settlers full of wonder as they crossed
A gentle creek where two old oaks were standing
Before the west was won there was a cost
A rain of fire came down upon the wagons
A mother screamed and every soul was lost.

Change hit the country like a thunderstorm
Ancient rivers soon began to boil
People rushed like water to California
At first they came for gold and then for oil
Fortunes were made and lost in lifetimes
Mother earth took poison in her soil.

An electro cruiser coasted towards the exit
And turned on Peaceful Valley Boulevard
“People make the difference” read a billboard
Above a long line of idling cars.

Who’ll be the one to lead this world
Who’ll be the beacon in the night
Who’ll be the one to lead this world
Who’ll be the beacon in the night
Who’ll be the one to lead the nations
And protect God’s creations

A polar bear was drifting on an ice floe
Sun beating down from the sky
Politicians gathered for a summit
And came away with nothing to decide
Storms thundered on, his tears of falling rain
A child was born and wondered why.

The Letter to the Hebrews, Chapter 2:5-13

5 For it was not to angels that God subjected the world to come, of which we are speaking. 6 It has been testified somewhere,

“What is man, that you are mindful of him,
or the son of man, that you care for him?
7 You made him for a little while lower than the angels;
you have crowned him with glory and honor,
8 putting everything in subjection under his feet.”
Now in putting everything in subjection to him, he left nothing outside his control. At present, we do not yet see everything in subjection to him. 9 But we see him who for a little while was made lower than the angels, namely Jesus, crowned with glory and honor because of the suffering of death, so that by the grace of God he might taste death for everyone.

10 For it was fitting that he, for whom and by whom all things exist, in bringing many sons to glory, should make the founder of their salvation perfect through suffering. 11 For he who sanctifies and those who are sanctified all have one source. That is why he is not ashamed to call them brothers, 12 saying,

“I will tell of your name to my brothers;
in the midst of the congregation I will sing your praise.”
13 And again,

“I will put my trust in him.”
And again,

“Behold, I and the children God has given me.”

were-the-ones

The Letter of Paul the Apostle to the Romans, Chapter 8:18-22

18 For I consider that the sufferings of this present time are not worth comparing with the glory that is to be revealed to us. 19 For the creation waits with eager longing for the revealing of the sons of God. 20 For the creation was subjected to futility, not willingly, but because of him who subjected it, in hope 21 that the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God. 22 For we know that the whole creation has been groaning together in the pains of childbirth until now.

For further reference, the book below is probably the best I know of to show the story “from Genesis to Revelation” that has been tragically missed for nearly two  millennia. Of course there have always been glimmers and glimpses in the thoughts and writings of many, but perhaps now as the stakes seem higher than ever, humanity is ready to rediscover the promise and responsibility included in what Jesus simply called “the good news of the reign of God.”

Middleton

Comments and questions are always welcomed. Thanks for reading.

BMC @ Manifest Propensity, 2016.

 

 

 

Neil Young’s Apocalyptic “Rumblin”

I was unable to find the song “Rumbling” by itself, and of course the entire film is magnificent, but if the listener wants to hear only the song Rumbling’ it begins at about the 33:55 minute mark. Enjoy!

I won’t go to great lengths with this post. I’m simply pointing out that Neil Young seems to be hearing the apocalyptic rumblin’ that is mentioned here in the New Testament:

Hebrews 12:26 At that time his voice shook the earth, but now he has promised, “Yet once more I will shake not only the earth but also the heavens.” 27 This phrase, “Yet once more,” indicates the removal of things that are shaken—that is, things that have been made—in order that the things that cannot be shaken may remain. 28 Therefore let us be grateful for receiving a kingdom that cannot be shaken, and thus let us offer to God acceptable worship, with reverence and awe, 29 for our God is a consuming fire.

I think that the song shows his self-questioning in light of the nature of life in this era of world history, this side of the apocalyptic interruption of the world as is, the beginning of the new creation of God begun in Jesus of Nazareth. Neil Young is simply asking himself, and probably all who hear him, the immemorial human question “what shall I do to be saved?”

If the entire Le Noise movie is watched, it will be seen that all is filmed in black and white until the song rumblin’ where new and vibrant color signals a veritable new Genesis. I’d say that was a stroke of genius, because I think it shows that “apocalyptic” does not so merely signify “the removal of what can be shaken, but rather and even more-so, signifies the receiving a kingdom that cannot be shaken.” Neil Young seems to clearly see that rumblin’ signifies “birth pangs,” a term found in the Old and New Testaments. For in the normal course of events, birth pangs precede the arrival of a new life. Amen, Neil Young.

I feel the rumblin’ in her ground.
I feel the rumblin’.
I feel the rumblin’ in her ground.
I feel the rumblin’.
When Will I learn how to listen?
When will I learn how to feel?
When will I learn how to give back?
When will I learn how to give back?
When will I learn how to heal?
I can feel the weather changing.
I can see it all around.
Can’t you feel that new wind blowing?
Don’t you recognize that sound that sound?
And the earth is slowly spinning, spinning slowly, slowly changing.

I feel something in the air.
I feel the rumblin’ in her ground.
I feel the rumblin’
I feel the rumblin’ in her ground.
I feel the rumblin’
When will I learn?
When will I learn?
When will I learn how to give back?
When will I learn how to give back?
When will I learn how to heal?

Written by BMC @ Manifest Propensity, 2016.

Questions, comments, apocalyptic rumblins, are always welcomed.

 

Fleetwood Mac’s “Lay it All Down” and the This-Worldliness of Redemption

In Fleetwood Mac’s 1971 album called “Future Games,” there was an interesting song about Moses and what his message basically amounted to in full. Perhaps a current Old Testament scholar may help us to understand the importance of the “message of Moses” in relation to understanding “redemption” as presented in the New Testament.

…we are prone to miss the amazing scope of God’s redemption, and especially its full bodied, this-worldly character, if we do not read the New Testament with the world view of the Old Testament as our basis and guide. (J. Richard Middleton, “A New Heaven and a New Earth“.)

So with that introduction in mind, presented in the video by Fleetwood Mac, is the “world view of the Old Testament” that can serve as our “basis and guide” to understanding “God’s full bodied, this worldly character.” I find it quite interesting that Fleetwood Mac, or at least one or more of the members of the group, seemed to have more insight into the “scope of redemption” than many Christian teachers and scholars had or have, even to this day.

Here are the lyrics:

Let me retell
A story of old
About a man named moses
Who lived long ago
He prophesied good
He prophesied bad
And now that prophecy’s
Coming to pass

Let all your sons, and your daughters
Of the golden calf
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth

(Instrumental)

A whole lot of people, including myself
Thought the story of moses was just a tall tale
But all of the things that we see going on
Are just what moses set down

Let all your sons, and your daughters
Of the golden – yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth

(Instrumental)

Let me retell
A story I know
About a man named moses
Who lived long ago
He prophesied good
He prophesied bad
And now that prophecy’s
Coming to pass

Let all your sons, and your daughters
Of the golden – yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it down

(Instrumental)

Lay down, Lay down ….

Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
You’ve got to lay down your burden of sorrow
Lay down your burden of sorrow
Lay down your burden of hurt …

Lay it all down, for paradise here on earth

Any comments or questions are welcomed. Thanks for reading (and listening) – I hope you received something good from it all.

BMC @ Manifest Propensity, 2016

Arcade Fire’s Critique of “The Reflective Age” and their Call to a Counter-narrative

Since Arcade Fire has arrived I’ve been intrigued not only by their music but by the fact that they call their hearers to the task of being reflectors (critical thinkers) in relation to our modern culture. I tentatively believe that they present the concept of “reflektor” as the antithesis of being a reflector, wherein a reflektor does not reflect on the real world and reality, but rather only mistakenly finds in those realities reflections of the self. So how do we break free from the mirror/mold of the “reflective age” to the freedom of finding real reality? I believe that their method at least partly includes looking through the lens of biblical revelation.

Their song “Neon Bible” critiques a distortion of authentic biblical revelation as is unfortunately found promulgated by some brands of Christianity. Yet the word “Neon” signals that this is a distortion while also pointing to the fact that the true “Bible” nevertheless remains intact.

All these comments of mine are for the purpose of saying that I believe that Arcade Fire’s songs attempt to present a corpus of reflective narratives on our culture mediated to them (and us) partly through the Biblical revelatory texts. In other words, I think that Arcade Fire’s work at times amounts to a sort of “Bible Study” in which they seek to interpret our culture through the biblical lens and thereby offer counter-narratives to the dominant narratives of our culture.

So to return to where I started, I seriously think that Arcade Fire’s works present a call to us to join them in reflecting on the narratives of our culture in light of the counter-narrative of scripture. To “respond” to this “call” I started a facebook discussion group called “Arcade Fire Neon Bible Study” wherein listeners can compare thoughts and theories about that while also simply appreciating the broad scope of their literary/artistic/musical work.

I don’t view Arcade Fire as something like biblical prophets as though infallible in their cultural critiques, nor that they have fully or accurately presented the biblical counter-narratives. But I believe they are at least to some extent sincerely trying to do so, and if anything their observations, questions, critiques, and answers provide much “food for thought” for those seeking to truly “reflect” on things in “the reflective age.”

So here’s the address, check it out and I hope you’ll join the “Neon Bible Study.” https://www.facebook.com/groups/442967742576071/

BMC @ Manifest Propensity, 2015

Yawny at the Apocalypse: Andrew Bird’s Ambiguous Apocalypse

Not much I can say about this instrumental song

although the song and album titles provide some hints

in the pervasive atmosphere of ambiguity:

“Yawny at the Apocalypse”

“Armchair Apocrypha”

an apt description

of postmodern life

life

Many thanks to Andrew Bird

 BMC @ Manifest Propensity, 2015.

Thanks for reading – comments are welcomed!

“God Put a Smile Upon Your Face” – Coldplay’s Critique of Our Society’s Utilitarian God

This has always been a personal favorite Coldplay song. Past familiarity, and recently discovering the video have served to catalyze my thoughts about what they might be getting at in the song. So I have tentatively come up with the following “interpretation”:

I think there are three main factors of consideration in the song:

1) “God.”

2) What this “God” does for us.

3) Whether this “God” is the real God.

So the main “concern” of the song is whether the “God” of the song is the real God, and inasmuch as this “God” is the God of our real lives, whether or not our “God” is the real God. Furthermore, the main point is more explicitly an expose on what might be called “the utilitarian God,” or the God our society has created to serve the “needs” we deem as valuable and necessary. The utilitarian God is therefore the God we grant existence to, who is justified thereto by our knowledge of what we need for our “society.”

So again, let’s consider the three factors while looking at some of the lyrics:

The “God” in the song, the “God” our society posits, is under scrutiny as to “God’s” reality.

What this “God” does for us is three fold: putting “a smile on our face”; giving us “style”; and giving us “grace”. I think the song, especially as portrayed in the video, strongly implies that this “God” has actually failed in doing these three things. More significant is the fact that the two first things “God” does are quite frivolous and typically American, while the giving of “grace” only gains significance in connection with the how it is qualified by the more specific values of both “a smile” and “style.” The opening lines show what appears to be simple reality to the narrator.

Where do we go nobody knows?

I’ve gotta say I’m on my way down

They show that the “God” who is in question has not provided even these frivolous “needs” that have been deemed essential by his evangelists. So the first verses open by contrasting simple reality with the “religion of society” (of the masses).

The repeated lines about “drawing the line” and “falling from grace” seem to be expressions of doubt from the narrator concerning the problem of the alignment of this “societal God” with actual reality. The repeated lines about “working it out” show a “religious system” exists and thereby show that the narrator is thought to have “fallen from grace” by society and in particular by a certain person (“honey, honey”) so that the narrator has “wasted all their time.” In light of “the system” the doubting narrator is “worse than you” because they “wanted to” (fall short of “society”). So the song sets up a scenario in which the narrator is being judged by someone who has bought into this false socio/religious system, but the narrator has rejected the system due to it’s failure to align with reality.

The video seems to support this interpretation of the song, so that the narrator is the character in the video that has no smile, no societal “success” or even fellowship, and ultimately loses his societal existence within this “religious system” that was interposed upon them by society.

What is interesting is that the narrator basically is presenting a theological view of God that is known as “apophatic theology,” which is a theology based on what God is not, rather than on what God is (cataphatic theology). I say this because the narrator cannot positively say more about God than that “your guess is as good as mine.” But it seems to me that because the narrator has used apophatic theology they believe they are at least correct to reject this societal, utilitarian “God,” while at the same time their accuser judges him by this “God” to be wrong. So there is an odd sort of logic at play in the song, in which an apophatic “drawing of the line” is correct but the cataphatic line is not which makes “your guess is as good as mine” to mean that “he” is right concerning “God,” while “honey” is wrong, even though he is still agnostic regarding any true God that actually aligns with reality.

So if this interpretation is on target, what is the point of the song? I would say it probably at least might include these ideas:

  • The “God” of our society is utilitarian, meaning that we have created “God” based on what is expedient for our perceived societal needs. God “puts a smile on our face” and gives us “style” and “grace” to succeed in our religious system.
  • Our society, both the segment that might claim to believe in and follow God, and the segment that does not, is idolatrous inasmuch as our “God” is created by us and “utilitarian” for our success. Some have called humans “religious animals” because we are inherently religious whether we actually are religious, or irreligious.
  • Human society is inherently judgmental, and the more we have a “social” unification of the masses the more we may also have a totalitarian style religion that sees non-practicioners as “wasted” from the point of view of the dominant society.
  • So the very disconcerting lesson is to beware, when our society tells us how it’s “God” will “put a smile on our face.”

All in all, I think it is an amazing song/critique of our “liberated” society by Coldplay.

Any questions, or comments are most welcome! Thanks for reading…

Original Content © Bryan M. Christman and Manifest Propensity, 2015. Excerpts, links, and reblogging may be used, provided that full and clear credit is given to Bryan M. Christman and Manifest Propensity with appropriate and specific direction to the original content.

 

 

 

 

 

Hey Ma, I’m Only Bleeding (for “Mother Kirk”)

pilgrim's regress

A song I wrote today partly inspired by Bob Dylan’s great song of similar title; dedicated to “Mother Kirk.”

Hey ma

ain’t good for man to be alone

it’s time to put down the phone

answer the door

Hey ma

three meals didn’t make me stay

but one will drive the devil away

supper’s ready

chorus

Don’t know who’ll be there

do know that I don’t care

the lesser and the least

the kingdom coming

Hey ma

I’m only bleeding ’cause now I’m home

a room off the streets of Rome

with flames of fire

Hey ma

darkness at the break of noon

the president hid in his room

his table’s broken

chorus 2x

Written by Bryan M. Christman, July 19th, 2015

Copyright 2015 by Bryan M. Christman @ Manifest Propensity

All rights reserved